Cannes

James Mangold and Harrison Ford will climb the steps of the Palais des Festivals on May 18 alongside Phoebe Waller-Bridge, Antonio Banderas, John Rhys-Davies, Toby Jones, Boyd Holbrook, Ethann Isidore, and Mads Mikkelsen. The film will be screened out of competition. The festival will also pay a special tribute to Ford for his career.

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"I didn't hesitate to use literally 'expressions that stimulate the peripheral nerves' in my previous films. I'm not saying it's wrong to do so, but I intended them to be so," Park said during a press conference in Seoul to promote the new film. "I wanted to make a different movie this time. Since it's a story of people who hide their true emotions, I wanted to make the audience become eager to approach these people, to peek into their mind, curious about what they are thinking," he added.

The actor won the honour for his role in the Korean flick 'Broker' during his seventh visit to the film festival, Yonhap News Agency reports. Song became the first Korean actor ever to win an award at Cannes, after Jeon Do-yeon received best actress for her role in director Lee Chang-dong's film 'Secret Sunshine' in 2007.

"Our experience to entirely focus on a film and enjoy it along with many people at a movie theatre is out of comparison," he said at a press conference after the closing ceremony of the festival, reports Yonhap News Agency. Park won Best Director for his latest feature 'Decision to Leave' at the ceremony.

Korean movies have been temporarily overshadowed by K-pop and Korean TV dramas -- think BTS and 'Squid Game' -- both of which flourished during the Covid era, while Korean film was struck down by the pandemic. Closed cinemas and disrupted release schedules meant that the film sector was not fully able to capitalise on the 2019 Cannes and multiple Oscar successes of 'Parasite' and 'Minari'.

Ostlund's follow-up to his 2017 Palme-winning 'The Square', according to 'Variety', takes a boat full of shallow people -- models, millionaires and their various trophy partners -- and abandons them in deep water, forcing the survivors to reconstruct a desert-island society where money holds no power. In such a system, for better or worse, beauty becomes the most valuable asset.

Says Hina: "Representing India on the global platform is a huge deal. And I consider that a very high honour. And I am so glad that I gotta do it at both of my Cannes appearances. I sincerely hope that I continue to get this opportunity every time." Hina's Indo-English film 'Country of Blind's posters, launched at the prestigious film festival.